Knitting Lounge Chair, Upholstery

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Knitting Lounge Chair, Upholstery

Audo Copenhagen

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Knitting Lounge Chair, Upholstery | Highlight image 1
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The Knitting Chair by Ib Kofod-Larsen, first launched as a limited edition in 1951, makes a triumphant return to the world of modern Danish design under MENU’s concept of “Modernism Reimagined”. This is the brand’s first foray into classic furniture. The chair’s sense of proportion and unparalleled quality makes it a natural choice to bring into contemporary interiors. The playful nature of the Knitting Chair serves to highlight its thoughtful design. Named for the elbow cut-outs that allow maximum comfort while knitting (or reading), the chair is clearly the work of a master designer.

Materials
Frame: Wax Oiled Solid Oak
Seat & Back: Plywood, Foam

Care & cleaning:
As a natural material, leather requires looking after. If you care for the leather in the right way, it will become even more beautiful over time.
Here are a few tips: Over time if you see the need for cleaning, use a vacuum cleaner once or twice a month with a soft brush to remove any dust. Once or twice a year for thorough cleaning, use the foam from soap flakes stirred in warm water. Apply the foam with a dry soft cloth, minimising any contact with water. Avoid bar soap, saddle soap, leather cleaners, household detergents or chemical products. Protect from direct sunlight, excessive heat and sharp objects.

SH: 30 cm

Knitting Lounge Chair, Upholstery

Collection

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Category
Status
For Order
Availability

No product available in any showroom.
For inquiries, please contact us at +662 059 7750 or LINE: @chanintrcraft.

Dimensions (cm)

W71.3 x D66.9 x H90.6

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Ib Kofod-Larsen

Ib Kofod-Larsen

Ib Kofod-Larsen (1921-2003) was one of the pioneers of the Danish modern in the 1950s. Kofod-Larsen received his architecture degree from the Royal Danish Academy, and he also worked as a designer – one of his best-known works is the Knitting Chair from 1951. Rather than a regional phenomenon, Kofod-Larsen saw Scandinavian design as part of international modernism, and he became one of the best-selling Danish architects in the United States in the 1950s. He also collaborated with many furniture manufacturers in the US, Europe and Japan.
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