Shelley Lounge Little Armchair

Shelley Lounge Little Armchair

Minotti
Shelley Lounge Little Armchair | Highlight image
Distinguished by its elegant formal cubist shape, Shelley sports a linear geometry, enhanced by the presence of saddle hide and its accurate processing technique.

Its characteristic alluring saddle hide volume hosts cushions covered in fabric and opens at the front on the sides to reveal the inviting seat, while the rear part accommodates the body in a soft embrace. The saddle hide also serves to bind the legs together, wrapping itself round them and allowing the top part to emerge, ending in a fine decorative detail with Black Nickel finish.

The bearing frame reveals interesting shape solutions, such as the sloping front legs, slightly open at the sides or the tightness of the saddle hide at the base of the chair, which gradually loosens in an elegant tapering effect towards the exterior of the top part. Sartorial details, such as neat piping, define the edges of the cushions, with those of the backrest and armrest designed as three separate elements.

The compact design concept by GamFratesi, which plays on the harmonious contrasts between a structured external shell and a soft, inviting interior, enhanced by the texture of saddle hide and the fabrics used, has been flawlessly brought to life thanks to the design know-how and sophisticated tailoring techniques that have always been the distinguishing features of Minotti.

Product Details

Title
Shelley Lounge Little Armchair
Vendor item no.
SHE66
Brand
Collection
Designer
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Shelley Lounge Little Armchair | Image 1
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Shelley Lounge Little Armchair | Image 2
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Shelley Lounge Little Armchair | Image 3
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GamFratesi

GamFratesi

GamFratesi Studio was founded in 2006 by Danish architect Stine Gam and Italian architect Enrico Fratesi. The studio is based in Copenhagen. Stine and Enrico draw on the classic Danish furniture and craft tradition as well as the classic Italian intellectual and conceptual approach. Understanding a tradition and addressing it actively in the workshop makes it possible to expand on it. From this cross-cultural substrate they create furniture that respectfully reflects tradition while also featuring unique embedded stories, symbols and associations, often expressed in a minimalist idiom.
Minotti

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